The artist / parent relationship can be a fraught one, but also offers a unique opportunity to understand where the artist is coming from.
White turns something simple into art by translating that common object’s entire history.
What is the relationship between an artist who produces a piece and an installer who re-produces it?
A good installation disappears, but when it goes wrong, we notice.
In exploring a contemporary interpretation of Sandback’s work, the value lies in understanding how his practice is shifting in interpretation.
Jensen’s work shuns any polish that would render them easier to live with, that would ingratiate him to wider public. His work is easy to respect, but difficult to love.
What sort of conceptualist is Kim, and what sort of pure painter, and to what purpose is the demarcation?