Satterwhite constructs his own animated universe, incorporating modern dance, voguing and ballroom culture to make sense of the drawings, and their attempts to fulfill notions of the modern ideal.
Like any city that has been chosen to represent personhood – Olympic London included – the cleanliness of the RNC does much to sweep the rest of the public under a half-clean rug.
One can’t help but feel Troyano’s ‘Post-Plastica’ is ultimately a critique of culture’s affinity for preservation – both its merits and follies.