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The best part of viewing this work comes not from any of the painterly decisions made by the Linda Francis, but from the phenomenological experience of actually laying eyes on the painting in lived time.
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Facebook, death, and the reparative value of preserving indexed media interactions.
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Working out of Brooklyn, NY, Matthew Hassell is an avid painter and independent art critic. He earned a BFA from University of Connecticut before completing his MFA at Pratt Institute. His evenings are spent viewing art while his days are busy painting and writing reviews of work he has seen. Matthew's writing has appeared in NY Arts Magazine, NYC ArtParasites, Idiom, and is self-published in his own personal blog titled Fragments and Reconstructions. Having partaken in various group shows since moving to New York five years ago, his work has earned him a selection in NY Art Magazine’s 30 Artists to Watch in 2012. www.matthewhassell.com www.matthewhassell.com/blog/
