Ghost in the Machine: Hollis Frampton’s Gloria! by Max Nelson
If it is a goodbye, though, it’s also a kind of celebration.
Lost and Found: John Torres Discusses Lukas the Strange
Lost and Found: John Torres Discusses Lukas the Strange by Aaron Cutler
In all of the Filipino filmmaker John Torres’ films, stories exist to fill a void that lost memories have left, and throughout them all, the fear lingers that the void…
I Built Then My Ecstasy: On Peter Kubelka's Cinema
I Built Then My Ecstasy: On Peter Kubelka’s Cinema by Michael Metzger
Considering the cinema of Peter Kubelka on the occasion of Martina Kudláček’s monumental documentary, Fragments of Kubelka.
The Secret of a Happy Home: David Gatten on The Extravagant Shadows
The Secret of a Happy Home: David Gatten on The Extravagant Shadows by Aaron Cutler
The idea is one of contingency. Everybody must feel that something has been missed, because electing one course of life precludes any other. But what in my case has been…
Selection No. 11
Selection No. 11 by Yaelle Amir
Archives, science and interviews with the Israeli secret internal security service.
In all of the Filipino filmmaker John Torres’ films, stories exist to fill a void that lost memories have left, and throughout them all, the fear lingers that the void will remain.
The idea is one of contingency. Everybody must feel that something has been missed, because electing one course of life precludes any other. But what in my case has been missed?
Min Song’s ability to construct portraits of life, death, and the passage of time through placid, architectonic structures might be an aspect of Duchamp’s take on 'making.'