by Jessica Loudis on September 29, 2009
The film opens on a barely visible night shot of a tree, with static hanging in the background. After a moment, the static gives way to radio tuning, and the viewer is lifted out of the scene and dropped into the Technicolor landscapes of an 80s video game. The music gains coherence, and stills from the games are punctuated by flashing screenshots to a hypnotic, hallucinogenic effect.
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by Stephen Squibb on September 22, 2009
Still, there is likely a more subtle relationship at work here, and maybe fashion week bears the same relationship to merchandise as does the Whitney Biennial. In that case the immediate temptation — to recount, yet again, the slow mummification of a once meaningful format, the manifesto, in this case, via its diffusion among the lesser and inevitably more popular arts — should probably be resisted.
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