Considering the cinema of Peter Kubelka on the occasion of Martina Kudláček’s monumental documentary, Fragments of Kubelka.
The idea is one of contingency. Everybody must feel that something has been missed, because electing one course of life precludes any other. But what in my case has been missed?
Archives, science and interviews with the Israeli secret internal security service.
Is looking the only way to be? What a cryptic way to begin.
From the first moment of seeing Harlan’s Cave through the glass, certainty evaporates.
Min Song’s ability to construct portraits of life, death, and the passage of time through placid, architectonic structures might be an aspect of Duchamp’s take on 'making.'
Land art, lost art and women holding fish.
The best part of viewing this work comes not from any of the painterly decisions made by the Linda Francis, but from the phenomenological experience of actually laying eyes on the painting in lived time.